Sunday, October 13, 2019
Darkness and Evil in Shakespeares Macbeth :: GCSE English Literature Coursework
Darkness and Evil in Macbethà à à à à à à Darkness in our society is indicative of evil. For instance, a black cat, a dark night, and a dark place are all symbolic of diablerie. Authors use these symbols to describe an evil character or setting. William Shakespeare employs the imagery of darkness in Act 4 of his play Macbeth to describe the agents of disorder. The witches, Macbeth, and Scotland are all described as dark because they represent the agents of chaos. à à à à à à à à à The witches in the first scene of Act 4 are depicted as agents of chaos because of the dark domain around them. The witches meet in a dark cave. The cave is an appropriate setting for the witches because caves tend to represent the under-world and hell, creating a feeling of evil. The witches appearance, "secret, black, and midnight hags" also indicates their evil nature. The witches dark meeting place and dark appearance all emphasize their destructive nature. à à à à à à à à à Macbeth in Act 4: consulted with the witches, murdered Macduff's family, and continued to create chaos in Scotland. Macbethà in Act 4 is described as an agent of disorder, "untitled tyrantà bloody-sceptered". The language in Act 1 that described Macbeth has changed from "noble" and "kind" to the diction of Act 4 witch describes Macbeth as "black Macbeth" and a "tyrant". The Castle that Macbeth lives in, Dunsanine is also indicative of darkness. Dunsanine is similar to the word dungeon a dark and dirty place. In Act 4 Macbeth is an agent of disorder, he murders and he consults witches,à because of this he is described using dark imagery. à à à à à à à à à Scotland under the rule of Macbeth is described as, "shroudedà in darkness", by Malcolm. Scotland in Act 4 has fallen off the "Chainà of Being" and is now occupied with the forces of chaos and disorder.à Scotland in Act 4 is filled with "sighs, and groans, and shrieks, thatà rent the air". Scotland is described by Ross as, "O Nation Miserable". à All these descriptions of Scotland portray Scotland as a place where the agents of darkness have shrouded the land. à à à à à à à à à The agents of chaos and disorder were symbolized by darkness in Act 4. The witches were described as, "dark as midnight"; Macbeth was described as , "devilish and dark"; and Scotland was described as "dying". The imagery of darkness also plays an important role in character development.
Saturday, October 12, 2019
Primal Scenes in Americana and White Noise :: White Noise Essays
Primal Scenes in Americana and White Noise Written in 1989, Frank Letricchia's essay on the overriding themes of Don DeLillo's writing offers a short but concise praise of two of DeLillo's major works: Americana and White Noise. Letricchia offers the thesis in his essay that "two scenes in DeLillo's fiction are primal for his imagination of America" (Osteen 413). It seems that Letricchia is using "primal" not to denote an animalistic sense, but more along the lines of a basic need. The first of these primal scenes takes place in DeLillo's first book, Americana (Osteen 413). In a particular part of this novel, DeLillo describes the invention of America as the invention of the television (Osteen 413). One of his characters even describes it as having "came over on the Mayflower," which Letricchia interprets as meaning not television itself came over, but the desire for a "universal third-person" (Osteen 414). Letricchia argues that television offers to modern Americans today what the Pilgrims' ships offered to immigrants on the old days: something to dream about (Osteen 414). Even DeLillo writes that "To consume in America is not to buy; it is to dream," which, according to Letricchia is to say "that it is not the consummation of desire but the foreplay of desire that is TV advertising's object" (Osteen 414). Which is to say, it is not the advertisements job to make you buy something, only to make you want to buy it, a point I find to be not only accurate, but so mewhat disturbing as well. The second "primal scene" that Letricchia touches on comes from the book White Noise. In the book, there is a small but significant part in which two of the main characters drive twenty miles outside of town in order to visit a tourist attraction known as "The most photographed barn in America" (Osteen 415). While this is the surface subject of the passage, Letricchia asserts that the underlying issue at hand is actually "a new kind of representation as a new kind of excitement" (Osteen 415). In the scene from the book, the characters stand among crowds of people that are taking pictures of a very ordinary barn. One of the characters (Murray Siskind) begins a monologue about the fact that no one there has come to see the barn, but only "to be part of a collective perception" (Osteen 12).
Friday, October 11, 2019
Comparrative Essay of Cooking Programs Essay
ââ¬Å"Nigella Bitesâ⬠And ââ¬Å"Surfing the Menuâ⬠are two cooking programmes that share the same end result of delicious foods, but are very different in the contrasting aspects of social context, form and purpose which all help to reflect the cooking styles and personalities of their hosts. The atmosphere and contents of both shows generally appeal to the audiences of a different social status and/or age group. Set in Britain, the programme ââ¬Å"Nigella Bitesâ⬠appeals to an audience who belong to more of a winter climate. Each episode is formatted as a very comfortable and inviting home movie, using amateur camera work making it look more personal and family orientated. The show is filmed in Nigellaââ¬â¢s own house and kitchen allowing her audience to feel welcomed. Images and visuals of illustrated foods and vibrant pink colours are shown throughout the opening credits with Jazz music engagingly flowing in the background. Many of her episodes begin with the view of a freezing British winter day/night and then follow onto Nigella being in the warmth of her own home. ââ¬Å"Surfing the Menuâ⬠is a travelogue formatted programme set in Australia which promotes different towns and locations around the country in each episode. Along with catching/acquiring their own ingredients before cooking their meals, the hosts Curtis Stone and Ben Oââ¬â¢Donoghue aka ââ¬Å"Benderâ⬠also make sure to interact with the culture of each location they shoot in, making the Programme very relaxed as well as educational to the viewers. The opening credits consist of a range of photo shots and bright colours that go with the themes of the tourism and the outdoors. While the boys are traveling cameras makes sure to capture different angles and views of the scenery, including aerial views of the land around them. The atmosphere for each show is evidently contrasted; ââ¬Å"Nigella Bitesâ⬠is more of a matured cooking programme compared to the jovial attitude of ââ¬Å"Surfing the Menuâ⬠. Both shows have very different exterior climates which appeal to different audiences: Nigella pursues the comforts of the indoor warmth compared to the blistering cold of its winters outside. This tends to attract those who like to spend their time inside during the cold/wet days, such as women and mothers living in a winter climate wanting to create more wholesome and warm meals for their friends and families. Nigella showcases a particular social lifestyle that represents the enjoyment involved in cooking and preparing meals for the ones that are dear to her. ââ¬Å"Surfing the Menuâ⬠however attracts, and is more of a target to those who are more outgoing, young and interested in the experience of Australiaââ¬â¢s summer cultures. Both international and Australians viewers are drawn in by the advertised beauty of the scenery captured during each episode because of all the multicultural nature and Australian cuisine involved, advertising tourism within the country. Nigella is portrayed as a very family orientated and homely person who always enjoys her food and loves to cook. She has a proper upper-class British accent and speaks in a husky, somewhat seductive voice. Nigella is currently in her late thirties and is seen as very sophisticated to her viewers, usually she cooks on her own but once her meal is cooked and ready she shows her serving and sharing the meals with her children and/or all of her family and friends. The way that she describes her ingredients and recipes along with the terminology she uses such as ââ¬Å"stunningâ⬠, ââ¬Å"simply beautifulâ⬠and ââ¬Å"absolutely gorgeousâ⬠makes it sound as if she is in love with what she is making, the endearment and emphasis she puts in makes her so believable and intriguing. Nigella tends to mainly use informal measurements and verbs to describe what she is doing which remind you of how a mother figure would teach you how to cook. Ben and Curtis on the other hand are completely different to Nigella, ââ¬Ëtypical Aussie blokesââ¬â¢ is what they are stereotyped as. Both in their mid-twenties, always wearing informal and comfortable ââ¬Ëbeach clothingââ¬â¢ and using a lot of Australian ââ¬Ëslangââ¬â¢ such as ââ¬Å"Mateâ⬠and ââ¬Å"Chuck it on the barbieâ⬠the boys give off a very relaxed and casual feeling to their viewers. The meals that Nigella prepares are heavy winter foods which are more time consuming but are perfect for those who have the time and love to cook. The ââ¬Å"Surfing the Menuâ⬠recipes on the other hand are light summer foods that are quick and easy to prepare. Nigella makes sure her cupboards are full of all the different ingredients that she uses and she then gives her viewers an insight of the different things that she likes to always make sure she has stocked, what they can be used for and why they come in handy for her to have around. Curtis and Ben use ingredients that are imported into the local stores such as stir-fry noodles that they cook on an Australian barbeque, along with many other ingredients that they go out and personally collect from the local produce or catch on their own in each episode. As well as collecting their own ingredients from each place they visit, each meal they prepare always relates to the location theyââ¬â¢re in making the programme even more entertaining and educational. Typical cooking program camera techniques are used throughout both programs ââ¬Å"Nigella Bitesâ⬠and ââ¬Å"Surfing the Menuâ⬠these techniques include: close-ups on the hands on action with the food preparation, and snap shots throughout the shows that are used to cut out the un-necessary preparation time and skip straight to the cooking, then to the completed meals. To show their personalities and connect with their audience both of the programmes hosts make sure to speak and look directly towards/into the camera whenever possible. ââ¬Å"Surfing the Menuâ⬠also uses aerial shots during the car travels to capture the different scenery around them. Highlighted sounds of the cooking appliances and food being prepared are accompanied by soft music underneath throughout each episode in both ââ¬Å"Nigella Bitesâ⬠and ââ¬Å"Surfing the Menuâ⬠to draw more attention to what they are doing. The contrasting features between both ââ¬Å"Nigella Bitesâ⬠and ââ¬Å"Surfing the Menuâ⬠such as; social context, form, purpose, audiences and the atmosphere differ due to the personalities and cooking styles of their hosts. Nigellaââ¬â¢s show expresses her love for warm homely meals and cooking for her family and friends during the cold British winters and the programme is filmed as a home movie style, which gives off an inviting comfortable feel to her audience. Curtis and Benââ¬â¢s show however, reflects on the adventures and experiences of local cultures during the warm Australian summer days and is filmed as a travelogue. Both of the programmes hosts have very similar camera etiquettes and happy/warm, engaging mannerisms.
Thursday, October 10, 2019
Julius Ceasar: Brutus Is the Tragic Hero
In the play Julius Ceasar by William Shakespeare, Marcus Brutus is the tragic hero. Brutus is a tragic hero because he has Tragic Flaws. Brutusââ¬â¢s first tragic flaw is that he is naive; he is not a shrewd judge of people. As Caius Cassuis states, ââ¬Å"Well, Brutus, thou art noble. Yet I see/thy honorable mental may be wrought /â⬠¦There for it is meet / That noble minds keep ever with their likes / For who so firm that cannot be seduced? â⬠(1. 2. 319-323). This shows how naive Brutus is because he does not see that Cassuis is trying to manipulate him. Brutusââ¬â¢s second tragic flaw is that he has rigid ethics; he thinks he is unmovable. Brutus states himself that ââ¬Å"[he is] armed so strong in honesty, / that they pass by [him] as the idle windâ⬠(4. 3. 75-76). Brutus thinks he is unmovable because he is so honest that nothing can break him down, and because he has these tragic flaws he is a tragic hero. Many tragic heroes are characterized by good and evil, and Brutus has good and evil characteristics. Brutusââ¬â¢s good character is that he is caring. After Brutus allows his servant Lucius to sleep he calls, ââ¬Å"Boy! Lucius! Fast asleep? It is no matter. / Enjoy the honey-heavy dew of slumber /â⬠¦/ Therefore thou sleepââ¬â¢st so soundâ⬠(2. 1. 240-244). Brutus is letting Lucius sleep and this show his good characteristic, that he is caring. Brutus is also characterized by evil. He is characterized by evil because he betrayed his good friend, Julius Ceasar. When Brutus stabs Ceasar, Ceasarââ¬â¢s wo rds to Brutus were ââ¬Å"Et tu, Brute? Then fall, Ceasarâ⬠(3. 1. 84). In this scene Ceasar is surprised that Brutus is with the conspirators who murder him, because Brutus was a great friend to Ceasar. Brutus betrays their friendship by stabbing Ceasar. Brutusââ¬â¢ bad and evil characteristics make him a tragic hero. Brutus faced a downfall, which is an event that tragic heroââ¬â¢s face. The hubis, or the person or thing that cause Brutusââ¬â¢s downfall was Mark Antony and the speech he made at Caesarââ¬â¢s funeral. Caius Cassius knew or had a feeling to not let Antony speech, ââ¬Å"You know not what you do, do not consent / That Antony speak in [Ceasarââ¬â¢s] funeral. / know you how much the people may be moved/ By that which he will utter? /â⬠¦ / I know not what may fall. I like it notâ⬠(3. 1. 250 ââ¬â 254, 262). Cassius stated that he does not have a good feeling about letting Mark Antony speak because he had a feeling that something bad will occur because of what Antony will say. What Cassuis said was true, because shortly after Antonyââ¬â¢s speech Brutus and Cassius ran away and the Plebeians went into a rage due to Antonyââ¬â¢s speech. This led to the downfall of Brutus. The downfall or the death of Brutus makes him a tragic hero because before he commits suicide, he sees justification/glory in his fall. Brutus says himself ââ¬Å"my heart doth joy, that yet all my life/ I found no man, but he was true to me. / I shall have glory by this losing day/ More that Octavius and Mark Antonyâ⬠(5. 5. 38 ââ¬â 41). He sees glory in his death because he realizes that his life wasnââ¬â¢t bad, because he had true friends, and that he sees more glory in his suicide than Octavius Ceasar and Mark Antony will see glory in their victory. An because Seo 3 Brutus had many characteristics and events ââ¬â in the play Julius Ceasar by William Shakespeare ââ¬â that tragic heroes face, Marcus Brutus is ta tragic hero.
Wednesday, October 9, 2019
Affirmative action and Its affect on women Research Paper
Affirmative action and Its affect on women - Research Paper Example Through the years, women in most cultures have been viewed as instruments or properties and worst, as sexual objects who need to satisfy the fantasies of men. This paper discusses this certain issue on feminism wherein women are placed on a lower pedestal as prostitutes. The common perception that women are regarded as such is due to how men treat women in general and that women have the right for a better image than a lowly sex object. If prostitution is considered as a career, then women should be given equal rights as the men so that they will be able to step out from such a shameful status. The movie ââ¬Å"Pretty Womenâ⬠(Marshall) is the story of a prostitute, Vivian Ward portrayed by Julia Roberts who was hired by a businessman, Edward Lewis played by Richard Gere. The businessman was in Los Angeles for a week and he got lost in the city. That was when he met the prostitute who offered to bring the rich businessman to his destination. The man then hires Ward not as a sexu al partner but as an escort to social events and the two agreed on the price. With the way Ward dressed, she was given queer stares from the employees and other clients of the hotel where Lewis stayed. With such dilemma, the man encouraged her to buy a new wardrobe. With much money on hand, Ward gleefully went to expensive stores but was given an unexpected cold reception. The salespersons did not treat her well because of the way she looked, obviously of an unsophisticated breeding. However, she tries to get back at them when Lewis accompanied her the following day to go shopping, approaching the salesladies that they made a big mistake. As the story unfolds, the protagonist finds herself in love with the businessman and the latter offered to find her a place to stay so they could continue seeing each other. However, affected by the play the two earlier watched, the woman identified her love story with the main charactersââ¬â¢ so that she felt insulted with Lewisââ¬â¢ proposa l. The man then leaves for work and the woman was left in the hotel. Later, a colleague of Lewisââ¬â¢ arrived at the hotel tried to sexually assault Ward after some argument. However, Lewis comes in the nick of time to save the woman. He then tries to convince the woman to stay with him but she refuses. The story ends the way the woman wanted to, with Lewis rushing to Wardââ¬â¢s apartment who did not walk through the door but climbed the fire escape ladder with a bouquet of roses clenched in his teeth. The two then kissed and the story ended with the classic tale of two lovers living together happily ever after. The film portrays a very sensitive social issue on feminism that could perhaps be one of the oldest social problems concerning the so-called ââ¬Å"weaker sexâ⬠. First, the protagonist was shown on the streets at night, without regard to the dangers that might befall her in her job as a prostitute. The woman along with her companions did not seem to mind what kind of men they would sleep with as long as they have customers who would be able to pay them well and enable them to buy their necessities with their payments. Their job did not just expose them to sexually transmitted diseases but also to physical dangers brought about by criminal activities in their dangerous environment. This is similarly dangerous as other jobs with high health risks such as careers in mining and chemical companies. With the known risks in such work areas, employees are often guaranteed safety through frequent inspections of the work place, training sessions and provision of protective gadgets. However, for prostitutes, no such measures
Tuesday, October 8, 2019
Policies to the Maintenance of the National Sovereignty Case Study
Policies to the Maintenance of the National Sovereignty - Case Study Example For any immigration policy to have sustainable success, the key element to be taken care is assimilation. However, no country in the world has been successful as the United States, in ensuring the acculturation of the immigrants. It has been ensured to turn the immigrants into Americans at the soonest as a result of the strategic immigration policy. This successful immigration policy has earned the United States of America the fame as the worldââ¬â¢s first universal nation. (Hayworth, John D & Eule, Joe, 2006 b) This assimilation has had extensive acceleration in the early twentieth century due to the active involvement of public schools, churches, and other social organizations in promoting the Americanization process. Interestingly even larger corporate firms took up the onus of carrying out the deliverables of the governmental immigration policy. (Hayworth, John D & Eule, Joe, 2006 b) à à à à However, a policy change more assertive on multiculturalism than on Americanization changed the scenario to a large extent. The policies changed its concerns more towards cultural equity and respect than on Americanization. Even the education system and the governance system asserting on bilingual strategies stand as a proof for this development. Unfortunately, these policy changes led to the segregation of the immigrants from the American born citizens (Lippman, Lorna, 1983). The matter of higher concern is that this segregation never melted through generations. The newer generations of the immigrants were also encouraged to stick on to their own cultural values though to a varied extent. Resultantly The United States of America turned out to be a nation where varied cultures and people of nationalities coexisted in peace but was never united as a single community having similar values and goals (Hayworth, John D & Eule, Joe, 2006 b). To be more precise, the immi gration policies never encouraged this binding process.
Monday, October 7, 2019
The impact of culture on international marketing Essay
The impact of culture on international marketing - Essay Example However it is observed that the new emerging markets have socio-cultural contexts much different from the parallel contexts in western countries. Such cultural differences present themselves both as an opportunity and threat to those organizations expecting to find niche in these markets. If properly researched and read into the cultural dimensions of the foreign market can be woven into the international marketing mix and help establish the global supplier as a trustworthy supplier who understands the local realities. Inadequate research into these aspects and thereby deficient weaving of cultural dimensions in the international marketing mix can prove to be an expensive marketing mistake. This paper takes up a substantive literature review of the impact of cultural dimensions in international marketing mix before taking up a library based approach to examine major arguments in respect of culture, its dimensions, international marketing mix and the impact of cultural dimensions on i nternational marketing mix. A hypothesis that international marketing mix was made more effective by conscious in building within such mix cultural dimensions and their implications was tested through the analysis of major arguments presented in the researched library material. The analysis also found support in some case studies examined from the library resources.
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